Awwww….I was going to write a post about being a dozey twat due to my interupted sleep.
Oi Kevin……SLAG!
Awwww….I was going to write a post about being a dozey twat due to my interupted sleep.
Oi Kevin……SLAG!
We both took the day off work today to have a jam and record some music, unfortunately for Alex he woke up at 4am and never got back to sleep and we had to cut short the recording part. The jam itself was still pretty funky and we have lots of new ideas for various drum tracks; to be very honest it was nice just having a catch up with Al and just playing some guitar compared to the pressures of recording (oooooh the pressure!!!).
Anyway, today we focused on the faster version of BLICK, the ever-racuous COME ON, and a riff I’d recorded for a song tentatively entitled ‘MARVIN’. I’d been listening to to Marvin Gaye and I often give things temporary names or something that’ll remind me of my inspiration and any particular mindset at the time of writing. Don’t knock it, that’s my bag man!
Anyway, we quickly worked out drums and tried various tempo changes which changed it from a groove to funk and then back to groove again. It seemed to fit rather well, in fact, I felt at the time it felt TOO familiar and it was really bugging me. The more I kept playing it the more it felt like I’d stolen a riff or something.
Just before we ground to a halt (Alex was pooped because of his insomnia and just couldn’t find the energy; especially after several cakes during a break) a revelation struck me. The ‘MARVIN’ riff perfectly fit an old song that Alex had written just as I’d started doing music with him named “BUT I CARRY ON”.
It’s a favourite of mine and I always did sod about by playing it with a slight Reggae rhythm but originally it rolled on and on like a mantra and had a very funky bassline. Funnily enough I suggested to Alex that ‘MARVIN’ should be more like a mantra so it was genuinely spooky when I found ‘MARVIN’ fitted perfectly into the song complete with the already established chorus and middle eight. How weird is that?!?!
So now we have something to really have a go at! I recorded the basic riff on my webcam the other night (below) and although it’s got a few duff notes and I have my guitar face going on, it’ll give you an idea of how the riff sounds (albeit that it needs to be played at a faster tempo to fit ‘But I Carry on’).
Oh yes, and you’ll see my VERY funky new guitar strap that I bought in Kansas City. It’s nice innit?
The power of the subconscious mind?!??
Antikrish are proud to announce that they are headlining ‘A Concert for Tibet’ at Limes Road Festival this coming Spring in Croydon, Surrey, United Kingdom.
Too much naughtiness is going on in Tibet and the band intend to make a strong statement against all the random headshaving incidents that are being forced on Tibetans by the Chinese Army. Once shaven, a victim is forced to take up a life of solitude as a Lollipopman and spend the rest of their days helping schoolchildren cross the road. Lets stamp out this facism together brothers and sisters! Lets send a message!
A whole day of music is planned and the playlist promises to be loud and obscure! Family favourites such as ‘Come on!’, ‘Blick’, ‘Give a Little Help’ and ‘Star Spangled Bandaid’ are sure to get even the most reluctant stuffed monkey audience member shaking their pants!
Tickets go on sale Thursday 10th April 2008, prices start from:
A goat and a pair of sandles (size 12 please) = Stalls
A homemade turban (no beermats) = Inner Circle
Half a teaspoon of Vishnu’s jizz = Outer Circle
An hour with the mother in law (no felching allowed) = Front row
Limited to one ticket per person, ticket also grants holder to a free Keema Paratha in the refreshment tent.
Sag aloo!
Having been home for a couple of days I feel compelled to declare that I am still feeling ‘all over the shop’ (Londoner lingo for disorientated) due to a persistant dose of jetlag (a first for me with States flights I have to say) because I have a crap chest congestion. And it has genuinely annoyed me. Hooray! I honestly have no bloody clue where I am or what I am doing! Weeeeeee!
In addition to this gross violation of my person, it appears my learned colleague and esteemed compadre Alexander is also unwell. I shant embarass him by revealing the symptoms but I gather something has gone gangrene and fallen orf. ‘Doink’. Get well soon old chap.
So. What a shower of shinola we both are?!?! I’m unwell, baldies under the weather; and no we don’t have Asian flu or yellow fever like it says in National Geographic. Flaming cheek!
Oh well, as of today I get 22 days more holiday entitlement to use until 31.03.09; assuming work don’t sack me for blogging smegloads of here. I’m looking forward to shaking off this lurgy and start doing some tunes again!! TOOOOONS!
OK, drugs now please.
I sat playing the acoustic last night, just practicing some chords. Groovy.
I’ve really been focusing on my chords because I enjoyed the simplicity of ‘COME ON’ and want to make sure that area of my playing is up to a decent standard (obviously). A good portion of my favourite songs are technically ‘simple’ with a catchy chord based riff. ‘Can’t explain’ by The Who for example. Pete “I didn’t look at it, honest!!” Townsend is someone I admire as a guitarist a great deal.
Anyway, after about 25 minutes I came up with a basic idea for a song whilst playing open chords, a bit of muting using my strumming hand et voila! L’idée simple!!!!! I generally avoid describing music in words, but the main bit is 3 chords, ascending and descending. That’s it. Simple.
After a brief chat with Al on the phone and having played the rough melody over the speakerphone a couple of times, we both decided it was workable. Al suggested a nice variation in tempo to add onto it and now I’ve got something to stick down on the Tascam before I go away Saturday week.
This weekend (amongst the multitude of overtime I’ve got to do in order to pay for my toof) I am determined to record the basic acoustic rhythm of this idea, tentatively entitled ‘Haven’.
I’m a big fan of acoustic guitar supremo Richie Haven (who has the worlds biggest MONSTER thumb) and I was messing around playing the chords at high speed, trying to do something of a parody of a track he did at Woodstock called ‘Freedom’.
I’m also desperate to get the ascending guitar tracks put onto ‘Give a Little Help’ take 4 because I’ve been so busy doing work and stuff. Oh yes, and I’m going to be bouncing tracks on it to allow for vocals, bass and something else. Dooiiiiing, doiiiiiing!
Either way, I’m determined to pop some more audio up on the site before I go away on my hols. So watch this space!
Happy birthday Dad.
(Edit by Alex) – Happy birthday Mr K.
CLICK TO PLAY
This is a very roughly recorded snippet of COME ON which Alex wrote last week before we did our recording sesh on the 15th Feb.
It’s a punky number and I literally learned the chords during the warm up that morning, Alex similarly put together the drums and I am only slightly disappointed that we never recorded the early takes of it because it was full of such amazing energy.
Playing this really knackered us out. Anyway, this is definately one for the future and I can’t wait to get my teeth stuck into it properly.
Alexander Baldy – Smacking the skins
Good god I’m exhausted!
After a great deal of anticipation on both our parts it turns out that the recording session at Alex’s today was extremely inspiring and encouraging. This was the first time we’d attempted to do a full days song writing and recording session this millenium (the jam we recorded in November 2007 didn’t count), originally we had only planned to put down a completely new take of ‘Give a little Help – Rock version’ and rewrite an old Absurds (old Antikrish project) song now entitled ‘Boy Trouble’. Things didn’t strictly go to plan but the end result was much better than we expected.
As with our usual tradition we sauntered off to the local convenience shop at the beginning of the sesh because I personally can’t do any music without food in the tank. I grabbed some bits, scoffed them down and then had a practice with El Baldie to warm up. The difference to our jam back in November was astounding, everything was much tighter (in time), cleaner and more energetic than before and I was so incredibly chuffed to learn a track Alex has written this month called ‘Come on’.
‘Come on’ is an extremely energetic and punky rock tune which I thankfully picked up the basics of almost straight away; when Al first played it to me I was concerned with my lack of chord practice to accommodate it!. Al also ad libbed the drums and it was a shame we didn’t record the early warm up because it was almost perfect in places and we were too knackered to perform it after doing everything else during the main session. I can’t be arsed to mix it down now, but we recorded a little bit of ‘Come on’ and I may post it over the weekend if it sounds OK.
Boy trouble was a bit of a non-start, the drums are pretty demanding and I also need to tighten up my knowledge of the track so I recorded a guide guitar for later used and we’ve shelved that temporarily. Saying that the jam run through we had was again encouraging and I think it’ll be a lot fun when we get it sorted.
‘Give a Little Help’ on the other hand went very well indeed. I began by putting my Danelectro through the Marshall and then straight into the desk with slight distortion. I double tracked the same riff guitar for good measure. Afterwards I put a new acoustic down using Alex’s 70’s Yamaha and then Alex put down the drums (godly snare control today I might add). It’s amazing the drum sound we got using the AKG microphone as an ambient and the SM57 just on the bass drum.
During the jam I finished a practice of ‘Give a Little Help’ by going into a riff of a much older song written by Al and it merged perfectly. After the energy of the main song the added splice from the other tune brought things down into a lazy and almost hypnotic mantra. I came up with an ascending guitar to go with the added guitar (which I’m extremely pleased with) using the Electro Harmonix Polyphase pedal through the Marshall, and again double tracked it.
Sadly the whole session had taken it’s toll and by 3pm Alex was dozing off slumped up against the studio wall, and I personally was too tired to try and remember how to ‘bounce’ tracks down to free up some space on the Tascam to allow Alex to record a vocal and backing, plus any bass guitar we wanted to add (or call on the services of Dan Murr, bassist extraordinaire). So at that point we called it a day. I spent most of the evening with my feet up by Al’s very funky fire chatting about various things and reminiscing about the old days and how they’ve very much come full circle of late.
So all in all, very encouraging and 3 songs were greatly developed and 1 recorded into. I’m working Saturday but imagine I’ll get a few samples from the session on here at some point!!!
Watch this space!
CLICK TO PLAY
Following my post of Give a Little Helps new arrangement a couple of days ago I’ve been fiddling about on the desk listening to the track and chatting with Alex at great length about getting our first complete track up on the site for people to download. Our goal is to have a track up, hopefully, before I go away to the States in March.
The one thing we both love about the original rock version of Give a Little Help was the main guitar riff. We both decided to kick out the pick guitar for now because it muddles up the track and detracts from the simple formula of the song. The bass stays out (this was the bass from the Ragtime version of old and didn’t go) and just focus on drums, acoustic and main lead guitar for now.
I have also edited down several versions of the track for Alex to practice drums and vocals for; this is in view to our planned recording session scheduled for Friday the 15th February 2008.
So here we go, below is the latest take of the song and essentially will be the guide track for what will be used to make the final master for the song.
There’s a few surprises in store for this track, one of which I’m personally very much looking forward to, purely for the ROCK factor, and also because I think it’ll give a really good edge to the song.
CLICK TO PLAY
To prepare for my imminent visit to the States I’ve been doing a fair bit of overtime during the last 3-4 weeks. That along with doing my usual comics business it’s really taken it’s toll. Working from seven to eleven every night. It really makes life a drag, I don’t think that’s right. Ahem.
Anyroad, I finally found myself relatively free this weekend so I decided to do some music at home around my nephew Kai’s 10th birthday which involved a sleepover of three hyper 10 year olds (I got dragged into lots of lightsaber fighting, football, Wii-ing etc).
Alex and I are gearing up to a days recording midweek sometime in February because I have one days holiday to take before I zip off Stateside. So to prepare I thought I’d have a bit of practice on the Tascam.
Dan Murr (sometime session bassist and founding member of rock group Mary’s Dog) is a work colleague and mate of mine who recommended I use the drum software Beatcraft by Accoustica.
It’s very simple to use and has tons of samples of all kinds of kits which you can eventually make a backing tracking from by adding beats and measures a bar at a time. That doesn’t take as long as you’d think as you just edit several patterns and then throw them into a built in sequencer. You can also layer effects on each sample i.e. put distortion on the snare, reverb on the hi hat etc. I’d really recommend it for all you budding John Bonhams out there.
I put the drums down onto the desk on Saturday along with a guide acoustic track thanks to the Ovation electro-acoustic’s input which I plugged straight into the desk. I initially put the main guitar riff down with the Danelectro (again Direct Input or DI) but the guitar effects built into the Tascam are not the best; Alex likened my first take as similar sounding to Gary Moore (which isn’t good folks, too much reveeerrrbbbbbb). The good thing that came from the first take was an overdubbed pick guitar track that I put on the final verse.
The kids eventually cleared off Sunday morning and I had an empty house at my disposal. Ha ha neighbours, suck my plums! I cranked up the fender twin amp, plugged in the Danelectro along with my Marshall Bluesbreaker pedal to get a nice fat tone for the main heavy riff. After that I again used the Fender twin with Marshall pedal and Danelectro to get the pick guitar sound on the final verse.
I did put down a bass guitar track but it was too busy and made the mix even muddier so I decided to leave it out for now.
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